Arguably one of the most controversial, yet important pieces of literature to come out of the 1950's, this is relevant to our lives in Hermosa Beach because going on at the same time was the cutting edge live jazz music being played at our very own Lighthouse Cafe which is still on the Hermosa Plaza  -  The Lighthouse Cafe became an important venue for recordings; Art Pepper, Miles Davis, Lee MorganCannonball Adderley, Chet Baker,  Mose AllisonRamsey LewisArt BlakeyCharles EarlandGrant GreenElvin JonesCal Tjader, the Modern Jazz QuartetThe Three Sounds, the Jazz Crusaders,[2] and Joe Henderson all made recordings there. 

Many people are not aware of the incredible creative/artistic history of Hermosa Beach, and yet we are blessed to have these historical roots.

The following are excerpts by author Fred Kaplan in regards to Allen Ginsberg's groundbreaking poem:

"It was an anguished protest, literally a howl, against the era’s soul-crushing conformism and a hymn to the holiness of everything about the human body and mind, splashed in verse that breaks free from standard meter but speaks instead in the long lines and jangling rhythm of natural breath and conversation, a style inspired by the expressive poets who went ignored in the ivory towers of high modernism—Whitman, Blake, Rimbaud *—fused with the urban syncopation of the bebop jazz that Ginsberg and his pal, Jack Kerouac, went to hear in the clubs of Harlem while they were students at Columbia in the mid-1940s.

Ginsberg proved prophetic. The same year that he wrote “Howl,” Robert Rauschenberg and Jasper Johns were breaking free from the cage of Abstract Expressionism. Over the next few years, Ornette Coleman and Miles Davis would free jazz from the structure of chord-changes; Norman Mailer would smash the barrier between literature and journalism, the subjective self and the world; Allan Kaprow would stage the first “Happenings,” which blurred the boundaries between spectacle and spectator, art and life; Lenny Bruce and Mort Sahl created a new stand-up comedy that rejected mere jokes for jazz-inflected monologues on politics, race, and religious hypocrisy."

As we witness the gentrification of the entire California Coastline, we also need to be reminded of how important were the contributions of so many artists once creating or performing in our coastal cities.